Enter on beat one. Stop on the last beat. No extra taps.

What this skill is

Clean entry and clean exit are how musicians lock in with each other. The accent on beat 1 of an introduction tells everyone “here we go”; the final beat of a phrase tells everyone where it ends. Late entries, early stops, or stray taps in between all cost the ensemble its lock.

How this builds on the prior lessons

Pulse-finding taught steady tap. Steady quarter notes taught lock-in across measures. 2/4 vs 4/4 and 3/4 meter taught counting groups. This lesson tests the endpoints: can you start AND stop on the right beat? Higher tiers strip the audio: T3+ removes the last-beat accent (you must count from beat 1 to N internally); T5 removes both accents (uniform clicks); T4+ varies the trial length (6, 8, or 10 beats — no pre-baking the duration).

Common misconception

“If I tap when I hear the loud click, I’m doing it right.” That works at T1-T2 because the audio plays an accent on beat 1 and the last beat — you’re reacting, not counting. The tier ramp progressively erodes that shortcut so the only way to pass T5 is to count internally.

T1 · 8 beats · 70 bpm · both accents · forgiving
4 trials. Tap In on beat 1 (key I) and Stop on the last beat (key O or S). Pass per trial: both edges within tolerance, no extra taps. Pass session: ≥3 of 4 to promote.